![]() From its earliest appearances in The Most Beautiful Swiss Books series of 2007–09 (designed by Brunner himself while the typeface was under development), to its recent uses in Conditional Design: Workbook, Unit Edition’s FHK Henrion monograph, and the pages of the New York Times Magazine, Circular is serious, timeless, and neutral. ![]() With LL Circular, his second release for Lineto, Brunner has done it again - this time reworking the geometric sans, drawing from Futura, Neuzeit Grotesk, and other 20th-century models to create something unmistakably current.Ĭircular doesn’t draw attention to itself. His debut release, Akkurat (2004) - a contemporary take on the Swiss sans serif - was one of Lineto’s first serious text families and perhaps its largest success to date. Laurenz Brunner’s designs for Lineto fall into this second category. They are so of the current moment that they seem classic and timeless. ![]() Others surprise you with their very regularity - their sense of rightness, of always having been there. Some typefaces are distinguished by a sense of newness and surprise - the unexpected influence, the unfamiliar combination of disparate historical models. ![]()
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